top of page

Create Your First Project

Start adding your projects to your portfolio. Click on "Manage Projects" to get started

Whisper to the Earth

Title: Whisper to the Earth

Year: 2025
Medium: Succulent plants, soil, divination lot cards, pots
Size: 15cm x 230cm x 230cm

This installation is inspired by East Asian divination rituals, especially the act of drawing lots in temples. It reimagines how humans communicate with the invisible by blending folk beliefs, Daoist philosophy, and postmodern language into a quiet dialogue between the self, the land, and what cannot be seen.

Instead of incense, talismans, or sacred statues, the work returns to the simplest materials: soil and living plants. Sixty-four unique succulents are planted in ceramic pots, arranged on a bed of earth. Hidden beneath each plant is a message, a poetic lot that merges classical and contemporary language. These messages blur the line between prediction and reflection, making space for both.

To receive one, visitors are invited to kneel, touch the soil, and gently dig. The message they find belongs only to them. They may take the plant and message home, leaving behind a small mound in the earth, a quiet trace of presence.

The title Whisper to the Earth refers to the silent questions we carry. It suggests that divination is not about finding answers, but beginning a conversation with nature, with the cosmos, and with oneself.

The work echoes the Daoist cosmology of the Five Realms of the Great One, a cycle from formlessness to form. Each plant and each message is a small emergence, a potential rising from silence.

This is not about belief. It is about attention.
About using the act of asking as a way to return to the present.
To listen through soil.
To feel meaning in stillness.
To find the sacred not in symbols, but in the earth we touch.




📚 Why 64? The I Ching as Reference

I chose the I Ching not only because it is one of the oldest divination systems, but because it offers a philosophical view of the universe based on change.

The I Ching is one of the earliest cosmological and divinatory frameworks in Chinese culture. It maps out 64 fundamental states of transformation in the universe. Each hexagram reflects a condition, a way of asking, a way of reading the unknown. It does not aim to predict a fixed future but instead explores the in-between states—how people relate to their environment through shifting patterns of change.

Unlike tarot or many Western esoteric systems, the I Ching emphasizes the balance of opposites, stillness within motion, and change within stillness. This approach deeply resonates with my understanding of what it means to “dialogue with the unknown.” It is an open state. Not a search for answers, but an invitation to be present with uncertainty.

In this work, the 64 hidden messages and 64 living plants correspond directly to the 64 hexagrams. Each plant holds a small piece of that philosophy. The message it conceals is not an answer, but a mirror, asking how you choose to question.


🪴 Why Succulents?

Succulents were chosen for this work not only because they are resilient, but because their quiet variations echo the deeper themes of this piece. Each plant grows slowly, silently, and carries a destiny that cannot be predicted. This mirrors the uncertain space between human intention and unseen forces.

Succulents are a diverse family of water-storing plants. Their forms, colors, and growth habits vary widely. In this installation, sixty-four unique species were carefully selected to correspond with the sixty-four hexagrams of the I Ching. Each one becomes a quiet symbol, holding a message that waits to be discovered.

Though they may appear calm and equal on the surface, their inner states differ. Some will thrive with ease, while others are more fragile. When visitors choose a pot, they do not know what kind of plant they will receive or how it will grow. It is an act of asking without knowing. Just like in divination, the moment of drawing holds both sincerity and surrender.

What I hope to offer is an experience that brings chance and care together. To receive something you cannot control, and choose to tend to it anyway.

In this way, each plant becomes more than a material. It becomes a quiet companion, a reminder that even the smallest living form holds difference, possibility, and an unfolding story of its own.


bottom of page